Main / SpaceBase


Main.SpaceBase History

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February 14, 2019, at 03:41 PM by 136.159.7.119 -
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Han Tutschku, Zellen-Linien for piano and live electronics (2007).
Performed by Xenia Pestova (piano) and ? (live electronics), at the Rosza Centre, Eckhardt-Grammaté Hall, Calgary, Alberta, Canada, May 2018.
to:
Hans Tutschku, Zellen-Linien for piano and live electronics (2007).
Performed by Xenia Pestova (piano) and Hans Tutschku (live electronics), at the Rosza Centre, Eckhardt-Grammaté Hall, Calgary, Alberta, Canada, May 2018.
February 14, 2019, at 03:39 PM by 136.159.7.119 -
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  1. the Eckhardt-Grammat\'e Hall (a 384-seat music hall on the University of Calgary Campus), and
to:
  1. the Eckhardt-Grammaté Hall (a 384-seat music hall on the University of Calgary Campus), and
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Performed by Xenia Pestova (piano) and ? (live electronics), at the Rosza Centre, Eckhardt-Grammatr\'e Hall, Calgary, Alberta, Canada, May 2018.
to:
Performed by Xenia Pestova (piano) and ? (live electronics), at the Rosza Centre, Eckhardt-Grammaté Hall, Calgary, Alberta, Canada, May 2018.
February 14, 2019, at 03:38 PM by 136.159.7.119 -
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Performed by Megumi Masaki (piano) and Keith Hammel (live electronics), at the Rosza Centre, Eckhardt-Gramatt\'e Hall, and the National Music Centre, Calgary, Alberta, Canada, December 2017.
to:
Performed by Megumi Masaki (piano) and Keith Hammel (live electronics), at the Rosza Centre, Eckhardt-Gramatté Hall, and the National Music Centre, Calgary, Alberta, Canada, December 2017.
February 13, 2019, at 11:18 AM by 136.159.7.119 -
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cite this document~\cite{ref:spacebase}. In addition, they should cite the individual works that they use from the repository.

to:

cite this web page. In addition, they should cite the individual works that they use from the repository.

February 13, 2019, at 11:16 AM by 136.159.7.119 -
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February 13, 2019, at 11:15 AM by 136.159.7.119 -
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use ambisonic technology (see Section~\ref{sec:initial-content}),

to:

use ambisonic technology (see Section on Initial Content),

February 13, 2019, at 10:55 AM by 136.159.7.119 -
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Luigi Nono - ''A Pierre, dell'azzurro silenzio, inquietum'

to:

(:comment !!!!Luigi Nono - ''A Pierre, dell'azzurro silenzio, inquietum' :)

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Keith Hammel - Touch

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(:comment !!!!Keith Hammel - ''Touch'':)

February 13, 2019, at 10:54 AM by 136.159.7.119 -
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(:!!!!Hans Tutschku - ''Zellen-Linien:)

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(:comment !!!!Hans Tutschku - ''Zellen-Linien:)

February 13, 2019, at 10:54 AM by 136.159.7.119 -
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Hans Tutschku - ''Zellen-Linien

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(:!!!!Hans Tutschku - ''Zellen-Linien:)

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Acknowledgements

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Performed by Marieke Franssen (contrabass flute), Carlos Noain Maura (contrabass clarinet), and Juan Parra Cancino (live electronics), at the Banff Centre, Banff, Alberta, Canada, February 2009.
to:
Performed by Marieke Franssen (contrabass flute), Carlos Noain Maura (contrabass clarinet), and Juan Parra Cancino (live electronics), at the Banff Centre, Banff, Alberta, Canada, February 2009.
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Performed by Megumi Masaki (piano) and Keith Hammel (live electronics), at the Rosza Centre, Eckhardt-Gramatt\'e Hall, and the National Music Centre, Calgary, Alberta, Canada, December 2017.
to:
Performed by Megumi Masaki (piano) and Keith Hammel (live electronics), at the Rosza Centre, Eckhardt-Gramatt\'e Hall, and the National Music Centre, Calgary, Alberta, Canada, December 2017.
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Performed by Xenia Pestova (piano) and ? (live electronics), at the Rosza Centre, Eckhardt-Grammatr\'e Hall, Calgary, Alberta, Canada, May 2018.
to:
Performed by Xenia Pestova (piano) and ? (live electronics), at the Rosza Centre, Eckhardt-Grammatr\'e Hall, Calgary, Alberta, Canada, May 2018.
February 13, 2019, at 10:49 AM by 136.159.7.119 -
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Performed by Marieke Franssen (contrabass flute), Carlos Noain Maura (contrabass clarinet), and Juan Parra Cancino (live electronics), at the Banff Centre, Banff, Alberta, Canada, February 2009.
to:
Performed by Marieke Franssen (contrabass flute), Carlos Noain Maura (contrabass clarinet), and Juan Parra Cancino (live electronics), at the Banff Centre, Banff, Alberta, Canada, February 2009.
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Performed by Megumi Masaki (piano) and Keith Hammel (live electronics), at the Rosza Centre, Eckhardt-Gramatt\'e Hall, and the National Music Centre, Calgary, Alberta, Canada, December 2017.
to:
Performed by Megumi Masaki (piano) and Keith Hammel (live electronics), at the Rosza Centre, Eckhardt-Gramatt\'e Hall, and the National Music Centre, Calgary, Alberta, Canada, December 2017.
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Performed by Xenia Pestova (piano) and ? (live electronics), at the Rosza Centre, Eckhardt-Grammatr\'e Hall, Calgary, Alberta, Canada, May 2018.
to:
Performed by Xenia Pestova (piano) and ? (live electronics), at the Rosza Centre, Eckhardt-Grammatr\'e Hall, Calgary, Alberta, Canada, May 2018.
February 13, 2019, at 10:48 AM by 136.159.7.119 -
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Luigi Nono, A Pierre, dell'azzurro silenzio, inquietum for contrabass flute, contrabass clarinet and live electronics (1985). Performed by Marieke Franssen (contrabass flute), Carlos Noain Maura (contrabass clarinet), and Juan Parra Cancino (live electronics), at the Banff Centre, Banff, Alberta, Canada, February 2009.
to:
Luigi Nono, A Pierre, dell'azzurro silenzio, inquietum for contrabass flute, contrabass clarinet and live electronics (1985).
Performed by Marieke Franssen (contrabass flute), Carlos Noain Maura (contrabass clarinet), and Juan Parra Cancino (live electronics), at the Banff Centre, Banff, Alberta, Canada, February 2009.
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\subsection{Keith Hammel -- \textit{Touch}}

\hangindent=0.25in \textbf{Keith Hammel}, \textit{Touch} for piano and interactive electronics (2012). Performed by Megumi Masaki (piano) and Keith Hammel (live electronics), at the Rosza Centre, Eckhardt-Gramatt\'e Hall, and the National Music Centre, Calgary, Alberta, Canada, December 2017.

These recordings are the subject of research conducted by the authors. They

to:

Keith Hammel - Touch

Keith Hammel, Touch for piano and interactive electronics (2012).
Performed by Megumi Masaki (piano) and Keith Hammel (live electronics), at the Rosza Centre, Eckhardt-Gramatt\'e Hall, and the National Music Centre, Calgary, Alberta, Canada, December 2017.

These recordings are the subject of research conducted by Sallis and Boyd. They

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\begin{enumerate}

    \item   the Eckhardt-Grammat\'e Hall (a 384-seat music hall
            on the University of Calgary Campus), and

    \item   the National Music Centre in downtown Calgary.

\end{enumerate}

to:
  1. the Eckhardt-Grammat\'e Hall (a 384-seat music hall on the University of Calgary Campus), and
  2. the National Music Centre in downtown Calgary.
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an 84\textit{mm} sphere.

\subsection{Hans Tutschku -- \textit{Zellen-Linien}}

\hangindent=0.25in \textbf{Han Tutschku}, \textit{Zellen-Linien} for piano and live electronics (2007). Performed by Xenia Pestova (piano) and ? (live electronics), at the Rosza Centre, Eckhardt-Grammatr\'e Hall, Calgary, Alberta, Canada, May 2018.

to:

an 84mm sphere.

Hans Tutschku - ''Zellen-Linien

Han Tutschku, Zellen-Linien for piano and live electronics (2007).
Performed by Xenia Pestova (piano) and ? (live electronics), at the Rosza Centre, Eckhardt-Grammatr\'e Hall, Calgary, Alberta, Canada, May 2018.
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\section{Conclusion}

to:

Conclusion

February 13, 2019, at 10:41 AM by 136.159.7.119 -
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\subsection{How to Contribute to the Repository}

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How to Contribute to the Repository

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contact Dr. Boyd directly at \href{jboyd@ucalgary.ca}{jboyd@ucalgary.ca}. Include a

to:

contact Dr. Boyd. Include a

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\hangindent=0.25in \textbf{Luigi Nono}, \textit{A Pierre, dell'azzurro silenzio, inquietum} for contrabass flute, contrabass clarinet and live electronics (1985). Performed by Marieke Franssen (contrabass flute), Carlos Noain Maura (contrabass clarinet), and Juan Parra Cancino (live electronics), at the Banff Centre, Banff, Alberta, Canada, February 2009.

to:
Luigi Nono, A Pierre, dell'azzurro silenzio, inquietum for contrabass flute, contrabass clarinet and live electronics (1985). Performed by Marieke Franssen (contrabass flute), Carlos Noain Maura (contrabass clarinet), and Juan Parra Cancino (live electronics), at the Banff Centre, Banff, Alberta, Canada, February 2009.
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conducted by Zattra et al ~\cite{ref:zattra12} and details may be found

to:

conducted by Zattra et al. (2011) and details may be found

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\bibliographystyle{plain} \bibliography{gait-sono}

\end{document}

to:

References

Laura Zattra, Ian Burleigh and Friedemann Sallis (2011), Studying Luigi Nono’s A Pierre. Dell’azzurro silenzio, inquietum (1985) as a performance event, Contemporary Music Review, Vol 30, No 5, p 411-439.

February 13, 2019, at 10:31 AM by 136.159.7.119 -
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  1. Contact Dr. Jeffrey E. Boyd at jboyd@ucalgary.ca to request access to Space Base. The request should indicate who you are, and how you intend to use the recordings so that we can be sure usage will fall within the copyright holders' wishes.
to:
  1. Contact Dr. Jeffrey E. Boyd to request access to Space Base. The request should indicate who you are, and how you intend to use the recordings so that we can be sure usage will fall within the copyright holders' wishes.
February 13, 2019, at 10:30 AM by 136.159.7.119 -
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  1. Contact Dr. Jeffrey E. Boyd at

jboyd@ucalgary.ca to request access to Space Base. The request should indicate who you are, and how you intend to use the recordings so that we can be sure usage will fall within the copyright holders' wishes.

  1. Dr. Boyd will respond with email containing a link to the relevant

part of Space Base.

  1. Using the web browser of your choice, follow the provided link

and download the relevant files.

to:
  1. Contact Dr. Jeffrey E. Boyd at jboyd@ucalgary.ca to request access to Space Base. The request should indicate who you are, and how you intend to use the recordings so that we can be sure usage will fall within the copyright holders' wishes.
  2. Dr. Boyd will respond with email containing a link to the relevant part of Space Base.
  3. Using the web browser of your choice, follow the provided link and download the relevant files.
February 13, 2019, at 10:28 AM by 136.159.7.119 -
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            jboyd@ucalgary.ca to request
            access to Space Base.  The request should indicate who you
            are, and how you intend to use the recordings so that we can
            be sure usage will fall within the copyright holders' wishes.
to:

jboyd@ucalgary.ca to request access to Space Base. The request should indicate who you are, and how you intend to use the recordings so that we can be sure usage will fall within the copyright holders' wishes.

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            part of Space Base.
to:

part of Space Base.

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            and download the relevant files.
to:

and download the relevant files.

February 13, 2019, at 10:27 AM by 136.159.7.119 -
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    #   Contact Dr. Jeffrey E. Boyd at
to:
  1. Contact Dr. Jeffrey E. Boyd at
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    #   Dr. Boyd will respond with email containing a link to the relevant
to:
  1. Dr. Boyd will respond with email containing a link to the relevant
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    #   Using the web browser of  your choice, follow the provided link
to:
  1. Using the web browser of your choice, follow the provided link
February 13, 2019, at 10:26 AM by 136.159.7.119 -
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\begin{enumerate}

    \item   Contact Dr. Jeffrey E. Boyd at
            \href{jboyd@ucalgary.ca}{jboyd@ucalgary.ca} to request
to:
    #   Contact Dr. Jeffrey E. Boyd at
            jboyd@ucalgary.ca to request
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    \item   Dr. Boyd will respond with email containing a link to the relevant
to:
    #   Dr. Boyd will respond with email containing a link to the relevant
Changed line 83 from:
    \item   Using the web browser of  your choice, follow the provided link
to:
    #   Using the web browser of  your choice, follow the provided link
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\end{enumerate}

February 13, 2019, at 10:23 AM by 136.159.7.119 -
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[[ https://cloud.cpsc.ucalgary.ca/login | NextCloud storage

to:

NextCloud storage

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Calgary ]]. Space Base resides within the

to:

Calgary. Space Base resides within the

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The following sections describe recommended usage of the repository and

to:

The following describes recommended usage of the repository and

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\subsection{How to Obtain Recordings from the Repository}

At the time of writing, Space Base is hosted on the NextCloud storage

to:

How to Obtain Recordings from the Repository

At the time of writing, Space Base is hosted on the [[ https://cloud.cpsc.ucalgary.ca/login | NextCloud storage

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Calgary~\cite{ref:cpsccloud}. Space Base resides within the

to:

Calgary ]]. Space Base resides within the

February 13, 2019, at 10:19 AM by 136.159.7.119 -
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This document describes \emph{Space Base}, a database

to:

This document describes Space Base, a database

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analysis of the music. \emph{Space Base} also serves to

to:

analysis of the music. Space Base also serves to

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state of the art, users of \emph{Space Base} require expertise in

to:

state of the art, users of Space Base require expertise in

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At the time of writing, \emph{Space Base} is hosted on the \emph{NextCloud} storage

to:

At the time of writing, Space Base is hosted on the NextCloud storage

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Calgary~\cite{ref:cpsccloud}. \emph{Space Base} resides within the

to:

Calgary~\cite{ref:cpsccloud}. Space Base resides within the

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to the public. The procedure to obtain recordings from \emph{Space Base}

to:

to the public. The procedure to obtain recordings from Space Base

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            access to \emph{Space Base}.  The request should indicate who you
to:
            access to Space Base.  The request should indicate who you
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            part of \emph{Space Base}.
to:
            part of Space Base.
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Other researchers may contribute to \emph{Space Base}. To do this,

to:

Other researchers may contribute to Space Base. To do this,

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appropriate for \emph{Space Base}, Dr. Boyd will arrange for the transfer of the data to the University of Calgary \emph{NextCloud} servers.

%The repository physically resides on the Federated %Research Data Repository (FRDR)~\cite{ref:frdr}. Users should %consult the FRDR site for detailed instructions on its use. % %We will need to flesh this out with Calum after we know how it works. % %Indicate what the curation process will be.

\subsection{How to Cite the Repository}

to:

appropriate for Space Base, Dr. Boyd will arrange for the transfer of the data to the University of Calgary NextCloud servers.

How to Cite the Repository

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\section{Initial Content} \label{sec:initial-content}

\subsection{Luigi Nono -- \textit{A Pierre, dell'azzurro silenzio, inquietum}}

to:

Initial Content

Luigi Nono - ''A Pierre, dell'azzurro silenzio, inquietum'

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%\begin{abstract} % %Abstract goes here % %\end{abstract}

\section{Introduction}

to:

Introduction

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\section{Usage and Citation}

% This section describes protocols for using the repository.

\subsection{Copyright}

to:

Usage and Citation

Copyright

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Division of Music
-> School of Creative and Performing Arts
-> University of Calgary
Jeffrey E. Boyd
-> Department of Computer Science
-> University of Calgary
to:
Division of Music
School of Creative and Performing Arts
University of Calgary
Jeffrey E. Boyd
Department of Computer Science
University of Calgary
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\author{ Friedemann Sallis
Division of Music
School of Creative and Performing Arts
University of Calgary
\and

            Jeffrey E. Boyd                     
Department of Computer Science
University of Calgary

}

\date{January 2019}

\maketitle

to:
Friedemann Sallis
Division of Music
-> School of Creative and Performing Arts
-> University of Calgary
Jeffrey E. Boyd
-> Department of Computer Science
-> University of Calgary
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% acmMM04.tex - submission to ACM Multimedia Systems Conference 2004 % % - Interactive Art Program %

\documentclass[12pt,titlepage]{article} \usepackage{times} \usepackage{parskip} \usepackage{hyperref}

%\setlength{\parindent}{0.25in}

\renewcommand\floatpagefraction{0.95} \renewcommand\topfraction{0.95} \renewcommand\bottomfraction{0.95} \renewcommand\textfraction{0.05}

\begin{document}

\title{Space Base:
A Database for Spatial Music Recordings}

to:

Space Base: A Database for Spatial Music Recordings

February 13, 2019, at 09:55 AM by 136.159.7.119 -
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% acmMM04.tex - submission to ACM Multimedia Systems Conference 2004 % % - Interactive Art Program %

\documentclass[12pt,titlepage]{article} \usepackage{times} \usepackage{parskip} \usepackage{hyperref}

%\setlength{\parindent}{0.25in}

\renewcommand\floatpagefraction{0.95} \renewcommand\topfraction{0.95} \renewcommand\bottomfraction{0.95} \renewcommand\textfraction{0.05}

\begin{document}

\title{Space Base:
A Database for Spatial Music Recordings}

\author{ Friedemann Sallis
Division of Music
School of Creative and Performing Arts
University of Calgary
\and

            Jeffrey E. Boyd                     
Department of Computer Science
University of Calgary

}

\date{January 2019}

\maketitle

%\begin{abstract} % %Abstract goes here % %\end{abstract}

\section{Introduction}

Contemporary music composers and performers are constantly seeking to expand the creative affordances available to them by incorporating new electronic technologies into their work. Among these technologies, multi-channel audio systems present opportunities for spatialized sound in which composers create two- or three-dimensional sound fields that are a salient element of their music. Beam forming, ambisonics, and wave-field synthesis are among the techniques used to create and manipulate a sound field. At the time writing, we are seeing a rapid expansion of spatial techniques used in music. Nevertheless, the resources to capture and analyze this music remain expensive and out of reach to many that are interested.

This document describes \emph{Space Base}, a database for spatial music recordings at the University of Calgary. The goal of the repository is to give researchers in music, musicology, science, and engineering access to high-quality recordings of spatial music, in a format that facilitates the spatial analysis of the music. \emph{Space Base} also serves to maintain the cultural capital inherent in the recordings. While the initial contributions to the repository use ambisonic technology (see Section~\ref{sec:initial-content}), the repository is open to recordings that use other methods to record a sound field. The authors and creators of the repository recognize that the recording techniques and data formats are evolving and that the repository must keep pace with that evolution. Given this evolutionary state of the art, users of \emph{Space Base} require expertise in spatialized sound to use the recordings.

The following sections describe recommended usage of the repository and the initial contributions.

\section{Usage and Citation}

% This section describes protocols for using the repository.

\subsection{Copyright}

The contributors of data to the repository control the copyright of their contributed material. While the copyrights on the individual contributions may vary, the content may be used for personal and academic purposes only. For other uses, including commercial use, users of the repository must seek the permission of the copyright holder.

\subsection{How to Obtain Recordings from the Repository}

At the time of writing, \emph{Space Base} is hosted on the \emph{NextCloud} storage server of the Department of Computer Science at the University of Calgary~\cite{ref:cpsccloud}. \emph{Space Base} resides within the the collection of one of the authors (Boyd), and is not normally visible to the public. The procedure to obtain recordings from \emph{Space Base} follow these steps. \begin{enumerate}

    \item   Contact Dr. Jeffrey E. Boyd at
            \href{jboyd@ucalgary.ca}{jboyd@ucalgary.ca} to request
            access to \emph{Space Base}.  The request should indicate who you
            are, and how you intend to use the recordings so that we can
            be sure usage will fall within the copyright holders' wishes.

    \item   Dr. Boyd will respond with email containing a link to the relevant
            part of \emph{Space Base}.

    \item   Using the web browser of  your choice, follow the provided link
            and download the relevant files.

\end{enumerate} The link will be active for a limited period of time. If the link expires before you have completed your downloads, contact Dr. Boyd for a new link.

\subsection{How to Contribute to the Repository}

Other researchers may contribute to \emph{Space Base}. To do this, contact Dr. Boyd directly at \href{jboyd@ucalgary.ca}{jboyd@ucalgary.ca}. Include a description of what you wish to contribute. If the contribution is appropriate for \emph{Space Base}, Dr. Boyd will arrange for the transfer of the data to the University of Calgary \emph{NextCloud} servers.

%The repository physically resides on the Federated %Research Data Repository (FRDR)~\cite{ref:frdr}. Users should %consult the FRDR site for detailed instructions on its use. % %We will need to flesh this out with Calum after we know how it works. % %Indicate what the curation process will be.

\subsection{How to Cite the Repository}

Researchers who use the repository and publish their results should cite this document~\cite{ref:spacebase}. In addition, they should cite the individual works that they use from the repository.

\section{Initial Content} \label{sec:initial-content}

\subsection{Luigi Nono -- \textit{A Pierre, dell'azzurro silenzio, inquietum}}

\hangindent=0.25in \textbf{Luigi Nono}, \textit{A Pierre, dell'azzurro silenzio, inquietum} for contrabass flute, contrabass clarinet and live electronics (1985). Performed by Marieke Franssen (contrabass flute), Carlos Noain Maura (contrabass clarinet), and Juan Parra Cancino (live electronics), at the Banff Centre, Banff, Alberta, Canada, February 2009.

This contribution was the subject of research conducted by Zattra et al ~\cite{ref:zattra12} and details may be found in their published work. The spatial recording was done with a Soundfield MKV first-order ambisonic microphone. Notably, this contribution also contains recordings from various points in the electronic apparatus used in the performance in addition to the ambisonic microphone.

\subsection{Keith Hammel -- \textit{Touch}}

\hangindent=0.25in \textbf{Keith Hammel}, \textit{Touch} for piano and interactive electronics (2012). Performed by Megumi Masaki (piano) and Keith Hammel (live electronics), at the Rosza Centre, Eckhardt-Gramatt\'e Hall, and the National Music Centre, Calgary, Alberta, Canada, December 2017.

These recordings are the subject of research conducted by the authors. They feature recordings at two separate venues: \begin{enumerate}

    \item   the Eckhardt-Grammat\'e Hall (a 384-seat music hall
            on the University of Calgary Campus), and

    \item   the National Music Centre in downtown Calgary.

\end{enumerate} The recordings from these venues provide a juxtaposition of two performance venues of different size and acoustic characteristics.

The recordings used an MH Acoustics em32, 32-element microphone array on an 84\textit{mm} sphere.

\subsection{Hans Tutschku -- \textit{Zellen-Linien}}

\hangindent=0.25in \textbf{Han Tutschku}, \textit{Zellen-Linien} for piano and live electronics (2007). Performed by Xenia Pestova (piano) and ? (live electronics), at the Rosza Centre, Eckhardt-Grammatr\'e Hall, Calgary, Alberta, Canada, May 2018.

As with the previous contribution, these recordings are the subject of research conducted by the authors, and use the MH Acoustics em32 microphone.

\section{Conclusion}

The authors hope that the Space Base repository will become a valued resource for researchers in a variety of fields and encourage those with the appropriate resources to contribute.

The authors also wish to acknowledge the Social Sciences and Humanities Research Council (SSHRC) of Canada for supporting the research that lead to the creation of the repository.

\bibliographystyle{plain} \bibliography{gait-sono}

\end{document}

Page last modified on February 14, 2019, at 03:41 PM