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Main / SpaceBase
Main.SpaceBase History
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Han Tutschku, Zellen-Linien for piano and live electronics (2007).
Performed by Xenia Pestova (piano) and ? (live electronics), at the Rosza Centre, Eckhardt-Grammaté Hall, Calgary, Alberta, Canada, May 2018.
to:
Hans Tutschku, Zellen-Linien for piano and live electronics (2007).
Performed by Xenia Pestova (piano) and Hans Tutschku (live electronics), at the Rosza Centre, Eckhardt-Grammaté Hall, Calgary, Alberta, Canada, May 2018.
February 14, 2019, at 03:39 PM
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- the Eckhardt-Grammat\'e Hall (a 384-seat music hall on the University of Calgary Campus), and
to:
- the Eckhardt-Grammaté Hall (a 384-seat music hall on the University of Calgary Campus), and
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Performed by Xenia Pestova (piano) and ? (live electronics), at the Rosza Centre, Eckhardt-Grammatr\'e Hall, Calgary, Alberta, Canada, May 2018.
to:
Performed by Xenia Pestova (piano) and ? (live electronics), at the Rosza Centre, Eckhardt-Grammaté Hall, Calgary, Alberta, Canada, May 2018.
February 14, 2019, at 03:38 PM
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Performed by Megumi Masaki (piano) and Keith Hammel (live electronics), at the Rosza Centre, Eckhardt-Gramatt\'e Hall, and the National Music Centre, Calgary, Alberta, Canada, December 2017.
to:
Performed by Megumi Masaki (piano) and Keith Hammel (live electronics), at the Rosza Centre, Eckhardt-Gramatté Hall, and the National Music Centre, Calgary, Alberta, Canada, December 2017.
February 13, 2019, at 11:18 AM
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cite this document~\cite{ref:spacebase}. In addition, they should cite the
individual works that they use from the repository.
to:
cite this web page.
In addition, they should cite the individual works that they use from the repository.
February 13, 2019, at 11:16 AM
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February 13, 2019, at 11:15 AM
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use ambisonic technology (see Section~\ref{sec:initial-content}),
to:
February 13, 2019, at 10:55 AM
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Luigi Nono - ''A Pierre, dell'azzurro silenzio, inquietum'
to:
(:comment !!!!Luigi Nono - ''A Pierre, dell'azzurro silenzio, inquietum' :)
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Keith Hammel - Touch
to:
(:comment !!!!Keith Hammel - ''Touch'':)
February 13, 2019, at 10:54 AM
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(:!!!!Hans Tutschku - ''Zellen-Linien:)
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(:comment !!!!Hans Tutschku - ''Zellen-Linien:)
February 13, 2019, at 10:54 AM
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Hans Tutschku - ''Zellen-Linien
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(:!!!!Hans Tutschku - ''Zellen-Linien:)
February 13, 2019, at 10:52 AM
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Acknowledgements
February 13, 2019, at 10:50 AM
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Performed by Marieke Franssen (contrabass flute), Carlos Noain Maura (contrabass clarinet), and Juan Parra Cancino (live electronics), at the Banff Centre, Banff, Alberta, Canada, February 2009.
to:
Performed by Marieke Franssen (contrabass flute), Carlos Noain Maura (contrabass clarinet), and Juan Parra Cancino (live electronics), at the Banff Centre, Banff, Alberta, Canada, February 2009.
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Performed by Megumi Masaki (piano) and Keith Hammel (live electronics), at the Rosza Centre, Eckhardt-Gramatt\'e Hall, and the National Music Centre, Calgary, Alberta, Canada, December 2017.
to:
Performed by Megumi Masaki (piano) and Keith Hammel (live electronics), at the Rosza Centre, Eckhardt-Gramatt\'e Hall, and the National Music Centre, Calgary, Alberta, Canada, December 2017.
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Performed by Xenia Pestova (piano) and ? (live electronics), at the Rosza Centre, Eckhardt-Grammatr\'e Hall, Calgary, Alberta, Canada, May 2018.
to:
Performed by Xenia Pestova (piano) and ? (live electronics), at the Rosza Centre, Eckhardt-Grammatr\'e Hall, Calgary, Alberta, Canada, May 2018.
February 13, 2019, at 10:49 AM
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Performed by Marieke Franssen (contrabass flute), Carlos Noain Maura (contrabass clarinet), and Juan Parra Cancino (live electronics), at the Banff Centre, Banff, Alberta, Canada, February 2009.
to:
Performed by Marieke Franssen (contrabass flute), Carlos Noain Maura (contrabass clarinet), and Juan Parra Cancino (live electronics), at the Banff Centre, Banff, Alberta, Canada, February 2009.
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Performed by Megumi Masaki (piano) and Keith Hammel (live electronics), at the Rosza Centre, Eckhardt-Gramatt\'e Hall, and the National Music Centre, Calgary, Alberta, Canada, December 2017.
to:
Performed by Megumi Masaki (piano) and Keith Hammel (live electronics), at the Rosza Centre, Eckhardt-Gramatt\'e Hall, and the National Music Centre, Calgary, Alberta, Canada, December 2017.
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Performed by Xenia Pestova (piano) and ? (live electronics), at the Rosza Centre, Eckhardt-Grammatr\'e Hall, Calgary, Alberta, Canada, May 2018.
to:
Performed by Xenia Pestova (piano) and ? (live electronics), at the Rosza Centre, Eckhardt-Grammatr\'e Hall, Calgary, Alberta, Canada, May 2018.
February 13, 2019, at 10:48 AM
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Luigi Nono, A Pierre, dell'azzurro silenzio, inquietum for contrabass flute, contrabass clarinet and live electronics (1985). Performed by Marieke Franssen (contrabass flute), Carlos Noain Maura (contrabass clarinet), and Juan Parra Cancino (live electronics), at the Banff Centre, Banff, Alberta, Canada, February 2009.
to:
Luigi Nono, A Pierre, dell'azzurro silenzio, inquietum for contrabass flute, contrabass clarinet and live electronics (1985).
Performed by Marieke Franssen (contrabass flute), Carlos Noain Maura (contrabass clarinet), and Juan Parra Cancino (live electronics), at the Banff Centre, Banff, Alberta, Canada, February 2009.
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\subsection{Keith Hammel -- \textit{Touch}}
\hangindent=0.25in
\textbf{Keith Hammel}, \textit{Touch} for piano and interactive electronics (2012).
Performed by Megumi Masaki (piano) and Keith Hammel (live electronics), at
the Rosza Centre, Eckhardt-Gramatt\'e Hall, and the National Music Centre,
Calgary, Alberta, Canada, December 2017.
These recordings are the subject of research conducted by the authors. They
to:
Keith Hammel - Touch
Keith Hammel, Touch for piano and interactive electronics (2012).
Performed by Megumi Masaki (piano) and Keith Hammel (live electronics), at the Rosza Centre, Eckhardt-Gramatt\'e Hall, and the National Music Centre, Calgary, Alberta, Canada, December 2017.
These recordings are the subject of research conducted by Sallis and Boyd. They
Changed lines 124-131 from:
\begin{enumerate}
\item the Eckhardt-Grammat\'e Hall (a 384-seat music hall
on the University of Calgary Campus), and
\item the National Music Centre in downtown Calgary.
\end{enumerate}
to:
- the Eckhardt-Grammat\'e Hall (a 384-seat music hall on the University of Calgary Campus), and
- the National Music Centre in downtown Calgary.
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an 84\textit{mm} sphere.
\subsection{Hans Tutschku -- \textit{Zellen-Linien}}
\hangindent=0.25in
\textbf{Han Tutschku}, \textit{Zellen-Linien} for piano and live electronics (2007).
Performed by Xenia Pestova (piano) and ? (live electronics), at the
Rosza Centre, Eckhardt-Grammatr\'e Hall, Calgary, Alberta, Canada, May 2018.
to:
an 84mm sphere.
Hans Tutschku - ''Zellen-Linien
Han Tutschku, Zellen-Linien for piano and live electronics (2007).
Performed by Xenia Pestova (piano) and ? (live electronics), at the Rosza Centre, Eckhardt-Grammatr\'e Hall, Calgary, Alberta, Canada, May 2018.
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Conclusion
February 13, 2019, at 10:41 AM
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\subsection{How to Contribute to the Repository}
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How to Contribute to the Repository
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to:
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\hangindent=0.25in
\textbf{Luigi Nono}, \textit{A Pierre, dell'azzurro silenzio, inquietum} for contrabass
flute, contrabass clarinet and live electronics (1985). Performed by
Marieke Franssen (contrabass flute), Carlos Noain Maura (contrabass clarinet),
and Juan Parra Cancino (live electronics), at the Banff Centre, Banff,
Alberta, Canada, February 2009.
to:
Luigi Nono, A Pierre, dell'azzurro silenzio, inquietum for contrabass flute, contrabass clarinet and live electronics (1985). Performed by Marieke Franssen (contrabass flute), Carlos Noain Maura (contrabass clarinet), and Juan Parra Cancino (live electronics), at the Banff Centre, Banff, Alberta, Canada, February 2009.
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conducted by Zattra et al ~\cite{ref:zattra12} and details may be found
to:
conducted by Zattra et al. (2011) and details may be found
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\bibliographystyle{plain}
\bibliography{gait-sono}
\end{document}
to:
References
Laura Zattra, Ian Burleigh and Friedemann Sallis (2011), Studying Luigi Nono’s A Pierre. Dell’azzurro silenzio, inquietum (1985) as a performance event, Contemporary Music Review, Vol 30, No 5, p 411-439.
February 13, 2019, at 10:31 AM
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- Contact Dr. Jeffrey E. Boyd at jboyd@ucalgary.ca to request access to Space Base. The request should indicate who you are, and how you intend to use the recordings so that we can be sure usage will fall within the copyright holders' wishes.
to:
- Contact Dr. Jeffrey E. Boyd to request access to Space Base. The request should indicate who you are, and how you intend to use the recordings so that we can be sure usage will fall within the copyright holders' wishes.
February 13, 2019, at 10:30 AM
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- Contact Dr. Jeffrey E. Boyd at
jboyd@ucalgary.ca to request
access to Space Base. The request should indicate who you
are, and how you intend to use the recordings so that we can
be sure usage will fall within the copyright holders' wishes.
- Dr. Boyd will respond with email containing a link to the relevant
part of Space Base.
- Using the web browser of your choice, follow the provided link
and download the relevant files.
to:
- Contact Dr. Jeffrey E. Boyd at jboyd@ucalgary.ca to request access to Space Base. The request should indicate who you are, and how you intend to use the recordings so that we can be sure usage will fall within the copyright holders' wishes.
- Dr. Boyd will respond with email containing a link to the relevant part of Space Base.
- Using the web browser of your choice, follow the provided link and download the relevant files.
February 13, 2019, at 10:28 AM
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jboyd@ucalgary.ca to request
access to Space Base. The request should indicate who you
are, and how you intend to use the recordings so that we can
be sure usage will fall within the copyright holders' wishes.
to:
jboyd@ucalgary.ca to request
access to Space Base. The request should indicate who you
are, and how you intend to use the recordings so that we can
be sure usage will fall within the copyright holders' wishes.
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to:
Changed lines 81-82 from:
and download the relevant files.
to:
and download the relevant files.
February 13, 2019, at 10:27 AM
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# Contact Dr. Jeffrey E. Boyd at
to:
- Contact Dr. Jeffrey E. Boyd at
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# Dr. Boyd will respond with email containing a link to the relevant
to:
- Dr. Boyd will respond with email containing a link to the relevant
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# Using the web browser of your choice, follow the provided link
to:
- Using the web browser of your choice, follow the provided link
February 13, 2019, at 10:26 AM
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\begin{enumerate}
\item Contact Dr. Jeffrey E. Boyd at
\href{jboyd@ucalgary.ca}{jboyd@ucalgary.ca} to request
to:
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\item Dr. Boyd will respond with email containing a link to the relevant
to:
# Dr. Boyd will respond with email containing a link to the relevant
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\item Using the web browser of your choice, follow the provided link
to:
# Using the web browser of your choice, follow the provided link
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February 13, 2019, at 10:23 AM
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[[ https://cloud.cpsc.ucalgary.ca/login | NextCloud storage
to:
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Calgary ]].
Space Base resides within the
to:
Calgary. Space Base resides within the
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The following sections describe recommended usage of the repository and
to:
The following describes recommended usage of the repository and
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\subsection{How to Obtain Recordings from the Repository}
At the time of writing, Space Base is hosted on the NextCloud storage
to:
How to Obtain Recordings from the Repository
At the time of writing, Space Base is hosted on the
[[ https://cloud.cpsc.ucalgary.ca/login | NextCloud storage
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Calgary~\cite{ref:cpsccloud}. Space Base resides within the
to:
Calgary ]].
Space Base resides within the
February 13, 2019, at 10:19 AM
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This document describes \emph{Space Base}, a database
to:
This document describes Space Base, a database
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analysis of the music. \emph{Space Base} also serves to
to:
analysis of the music. Space Base also serves to
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state of the art, users of \emph{Space Base} require expertise in
to:
state of the art, users of Space Base require expertise in
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At the time of writing, \emph{Space Base} is hosted on the \emph{NextCloud} storage
to:
At the time of writing, Space Base is hosted on the NextCloud storage
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Calgary~\cite{ref:cpsccloud}. \emph{Space Base} resides within the
to:
Calgary~\cite{ref:cpsccloud}. Space Base resides within the
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to the public. The procedure to obtain recordings from \emph{Space Base}
to:
to the public. The procedure to obtain recordings from Space Base
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access to \emph{Space Base}. The request should indicate who you
to:
access to Space Base. The request should indicate who you
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part of \emph{Space Base}.
to:
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Other researchers may contribute to \emph{Space Base}. To do this,
to:
Other researchers may contribute to Space Base. To do this,
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appropriate for \emph{Space Base}, Dr. Boyd will arrange for the transfer
of the data to the University of Calgary \emph{NextCloud} servers.
%The repository physically resides on the Federated
%Research Data Repository (FRDR)~\cite{ref:frdr}. Users should
%consult the FRDR site for detailed instructions on its use.
%
%We will need to flesh this out with Calum after we know how it works.
%
%Indicate what the curation process will be.
\subsection{How to Cite the Repository}
to:
appropriate for Space Base, Dr. Boyd will arrange for the transfer
of the data to the University of Calgary NextCloud servers.
How to Cite the Repository
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\section{Initial Content}
\label{sec:initial-content}
\subsection{Luigi Nono -- \textit{A Pierre, dell'azzurro silenzio, inquietum}}
to:
Initial Content
Luigi Nono - ''A Pierre, dell'azzurro silenzio, inquietum'
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%\begin{abstract}
%
%Abstract goes here
%
%\end{abstract}
\section{Introduction}
to:
Introduction
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\section{Usage and Citation}
% This section describes protocols for using the repository.
\subsection{Copyright}
to:
Usage and Citation
Copyright
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Division of Music -> School of Creative and Performing Arts -> University of Calgary
Jeffrey E. Boyd -> Department of Computer Science -> University of Calgary
to:
Division of Music
School of Creative and Performing Arts
Jeffrey E. Boyd
Department of Computer Science
University of Calgary
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\author{ Friedemann Sallis Division of Music School of Creative and Performing Arts University of Calgary \and
Jeffrey E. Boyd Department of Computer Science University of Calgary
}
\date{January 2019}
\maketitle
to:
Friedemann Sallis
Division of Music -> School of Creative and Performing Arts -> University of Calgary
Jeffrey E. Boyd -> Department of Computer Science -> University of Calgary
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% acmMM04.tex - submission to ACM Multimedia Systems Conference 2004
%
% - Interactive Art Program
%
\documentclass[12pt,titlepage]{article}
\usepackage{times}
\usepackage{parskip}
\usepackage{hyperref}
%\setlength{\parindent}{0.25in}
\renewcommand\floatpagefraction{0.95}
\renewcommand\topfraction{0.95}
\renewcommand\bottomfraction{0.95}
\renewcommand\textfraction{0.05}
\begin{document}
\title{Space Base: A Database for Spatial Music Recordings}
to:
Space Base: A Database for Spatial Music Recordings
February 13, 2019, at 09:55 AM
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% acmMM04.tex - submission to ACM Multimedia Systems Conference 2004
%
% - Interactive Art Program
%
\documentclass[12pt,titlepage]{article}
\usepackage{times}
\usepackage{parskip}
\usepackage{hyperref}
%\setlength{\parindent}{0.25in}
\renewcommand\floatpagefraction{0.95}
\renewcommand\topfraction{0.95}
\renewcommand\bottomfraction{0.95}
\renewcommand\textfraction{0.05}
\begin{document}
\title{Space Base: A Database for Spatial Music Recordings}
\author{ Friedemann Sallis Division of Music School of Creative and Performing Arts University of Calgary \and
Jeffrey E. Boyd Department of Computer Science University of Calgary
}
\date{January 2019}
\maketitle
%\begin{abstract}
%
%Abstract goes here
%
%\end{abstract}
\section{Introduction}
Contemporary music composers and performers are constantly seeking to
expand the creative affordances available to them by incorporating new
electronic technologies into their work. Among these technologies,
multi-channel audio systems present opportunities for spatialized
sound in which composers create two- or three-dimensional sound fields
that are a salient element of their music.
Beam forming, ambisonics, and wave-field synthesis are
among the techniques used to create and manipulate a sound field.
At the time writing, we are seeing a rapid expansion of spatial techniques
used in music. Nevertheless, the resources to capture and analyze this music
remain expensive and out of reach to many that are interested.
This document describes \emph{Space Base}, a database
for spatial music recordings at the University of Calgary.
The goal of the repository is to give researchers
in music, musicology, science, and engineering access to high-quality
recordings of spatial music, in a format that facilitates the spatial
analysis of the music. \emph{Space Base} also serves to
maintain the cultural capital inherent in the recordings.
While the initial contributions to the repository
use ambisonic technology (see Section~\ref{sec:initial-content}),
the repository is open to recordings that use other methods to record
a sound field. The authors and creators of the repository recognize
that the recording techniques and data formats are evolving and that
the repository must keep pace with that evolution. Given this evolutionary
state of the art, users of \emph{Space Base} require expertise in
spatialized sound to use the recordings.
The following sections describe recommended usage of the repository and
the initial contributions.
\section{Usage and Citation}
% This section describes protocols for using the repository.
\subsection{Copyright}
The contributors of data to the repository control the copyright of
their contributed material. While the copyrights on the individual
contributions may vary, the content may be used for personal
and academic purposes only. For other uses, including commercial use,
users of the repository must seek the permission of the copyright holder.
\subsection{How to Obtain Recordings from the Repository}
At the time of writing, \emph{Space Base} is hosted on the \emph{NextCloud} storage
server of the Department of Computer Science at the University of
Calgary~\cite{ref:cpsccloud}. \emph{Space Base} resides within the
the collection of one of the authors (Boyd), and is not normally visible
to the public. The procedure to obtain recordings from \emph{Space Base}
follow these steps.
\begin{enumerate}
\item Contact Dr. Jeffrey E. Boyd at
\href{jboyd@ucalgary.ca}{jboyd@ucalgary.ca} to request
access to \emph{Space Base}. The request should indicate who you
are, and how you intend to use the recordings so that we can
be sure usage will fall within the copyright holders' wishes.
\item Dr. Boyd will respond with email containing a link to the relevant
part of \emph{Space Base}.
\item Using the web browser of your choice, follow the provided link
and download the relevant files.
\end{enumerate}
The link will be active for a limited period of time. If the link expires
before you have completed your downloads, contact Dr. Boyd for a new link.
\subsection{How to Contribute to the Repository}
Other researchers may contribute to \emph{Space Base}. To do this,
contact Dr. Boyd directly at
\href{jboyd@ucalgary.ca}{jboyd@ucalgary.ca}. Include a
description of what you wish to contribute. If the contribution is
appropriate for \emph{Space Base}, Dr. Boyd will arrange for the transfer
of the data to the University of Calgary \emph{NextCloud} servers.
%The repository physically resides on the Federated
%Research Data Repository (FRDR)~\cite{ref:frdr}. Users should
%consult the FRDR site for detailed instructions on its use.
%
%We will need to flesh this out with Calum after we know how it works.
%
%Indicate what the curation process will be.
\subsection{How to Cite the Repository}
Researchers who use the repository and publish their results should
cite this document~\cite{ref:spacebase}. In addition, they should cite the
individual works that they use from the repository.
\section{Initial Content}
\label{sec:initial-content}
\subsection{Luigi Nono -- \textit{A Pierre, dell'azzurro silenzio, inquietum}}
\hangindent=0.25in
\textbf{Luigi Nono}, \textit{A Pierre, dell'azzurro silenzio, inquietum} for contrabass
flute, contrabass clarinet and live electronics (1985). Performed by
Marieke Franssen (contrabass flute), Carlos Noain Maura (contrabass clarinet),
and Juan Parra Cancino (live electronics), at the Banff Centre, Banff,
Alberta, Canada, February 2009.
This contribution was the subject of research
conducted by Zattra et al ~\cite{ref:zattra12} and details may be found
in their published work. The spatial recording was done with a Soundfield MKV
first-order ambisonic microphone. Notably, this contribution also contains
recordings from various points in the electronic apparatus used in the
performance in addition to the ambisonic microphone.
\subsection{Keith Hammel -- \textit{Touch}}
\hangindent=0.25in
\textbf{Keith Hammel}, \textit{Touch} for piano and interactive electronics (2012).
Performed by Megumi Masaki (piano) and Keith Hammel (live electronics), at
the Rosza Centre, Eckhardt-Gramatt\'e Hall, and the National Music Centre,
Calgary, Alberta, Canada, December 2017.
These recordings are the subject of research conducted by the authors. They
feature recordings at two separate venues:
\begin{enumerate}
\item the Eckhardt-Grammat\'e Hall (a 384-seat music hall
on the University of Calgary Campus), and
\item the National Music Centre in downtown Calgary.
\end{enumerate}
The recordings from these venues provide a juxtaposition of two performance
venues of different size and acoustic characteristics.
The recordings used an MH Acoustics em32, 32-element microphone array on
an 84\textit{mm} sphere.
\subsection{Hans Tutschku -- \textit{Zellen-Linien}}
\hangindent=0.25in
\textbf{Han Tutschku}, \textit{Zellen-Linien} for piano and live electronics (2007).
Performed by Xenia Pestova (piano) and ? (live electronics), at the
Rosza Centre, Eckhardt-Grammatr\'e Hall, Calgary, Alberta, Canada, May 2018.
As with the previous contribution, these recordings are the subject
of research conducted by the authors, and use the MH Acoustics em32
microphone.
\section{Conclusion}
The authors hope that the Space Base repository will become a valued resource
for researchers in a variety of fields and encourage those with the appropriate
resources to contribute.
The authors also wish to acknowledge the Social Sciences and Humanities Research
Council (SSHRC) of Canada for supporting the research that lead to the creation
of the repository.
\bibliographystyle{plain}
\bibliography{gait-sono}
\end{document}
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